PTSD

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LB: That’s not how we dress. The sauce comes from Europe! That alone gravitates them to us, because they know that. They know that when they fly over to Paris and that, they see the shops are better than somewhere else. And the culture... You walk down the streets in Paris and you’ll see someone dripping, and that’s just casual. Even Amsterdam, they’ll just be dripping, casually. You’ ve got some big names on PTSD, too: Lil Baby, Krept & Konan, AJ Tracey, Chip. How did you decide on the features for the project?

Other charted and certified songs [ edit ] List of other charted songs, with selected chart positions and certifications, showing year released and album nameFor "Prada": "Billboard Canadian Hot 100: 01 October 2023 - 07 October 2023". Billboard . Retrieved 4 October 2023. The pair laugh at the idea of LB eating weed first thing in the morning. Iwonder why he likes it so much. ​ “I dunno,” he replies, suddenly turning serious. ​ “It numbs the pain, realistically.”

For some people, mental health is still something of a taboo subject. Did you feel any hesitation when talking about how you both visit a therapist? Dirtbike LB: “ Traphouse” was the beginning of the wave… well, “ 3 Gutta” was the beginning of the wave if you understood it. People understood that they were gonna get some Auto-Tune, the flows and the street shit at the same time, but they didn’t think it would carry on. And then “Traphouse”, then “ Large Amounts”, then “ The Shard” and it just didn’t stop. a b Brandle, Lars (16 September 2019). "Ariana Grande, Miley Cyrus and Lana Del Rey's 'Don't Call Me Angel' Is Flying to U.K. Chart Title". Billboard . Retrieved 17 July 2023. Rapman directed the video for “Playing For Keeps”, which also features Dave. How did those collaborations come about?The two first met at Catford’s Sedgehill School and figured out their older brothers knew each other. They describe Sedgehill in disparaging tones. The school has just dragged itself out from what one paper described as a ​ “dismal” Ofsted report. When they were there adecade ago, it was still deemed ​ “inadequate”. Considering its size, PTSD is remarkably absorbing and coherent, reshaping UK trap with sharp wordplay, indelible hooks and plenty of sonic experimentation—the head-snapping rhythms of “Ain’t Chanelle”, the melodic melancholy of “Outside”, the searching self-examination of “Last Night in Barcelona”. “That’s why we withheld from even signing to a label in England, because this sound has never existed before over here in the way we’re doing it,” says Young Adz. “You can tell me the success you’ve had with this Afroswing artist or this club guy…that ain’t our music. We’re not a social experiment, like, ‘Let me just give them a bag and see if we can do it.’ We’ve got to do it, we’ve got to direct the wave.” LB: It’s getting to the point where I’m not even sure they’ve done what they’re saying they’ve done.