Locomotion / Her Body In My Soul, The Avenue

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Top 100 ( ARIA) peaks from January 1990 to December 2010: Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (pdfed.). Mt. Martha, VIC, Australia: Moonlight Publishing. p.209. O'Neal, Sean (26 December 2006). "Permanent Records: Albums from the A.V. Club's Hall of Fame". The A.V. Club. Archived from the original on 13 May 2011 . Retrieved 28 January 2016. Orchestral Manoeuvres in the Dark Chart History (Dance Club Songs)". Billboard. Archived from the original on 27 April 2019 . Retrieved 24 December 2020.

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Searchable Database". Recording Industry Association of America . Retrieved 27 August 2011. Note: User must define 'Artist' search parameter as "OMD". Turner, Luke (24 September 2013). "Corrupting Sonic DNA: Moby's Favourite Albums". The Quietus . Retrieved 6 March 2021. a b c d e f g h Wilson, Lois (30 September 2019). "OMD". Record Collector . Retrieved 21 February 2021.In 1983, the band lost commercial momentum somewhat, with the release of their more experimental fourth studio album Dazzle Ships, produced by Rhett Davies, perhaps best known for his previous work with Roxy Music and Brian Eno. The record mixed melancholy synth ballads and uptempo synth-pop with musique concrète and short wave radio tape collages. Its relative commercial failure caused a crisis of confidence for Humphreys and McCluskey, and brought about a deliberate move towards the mainstream. [45] Their following studio album, 1984's Junk Culture, was a shift to a more pop-style sound, and the band used digital sampling keyboards such as the Fairlight CMI and the E-mu Emulator. The album was a success, reassuring the group about their new direction. [32] The " Locomotion" single returned them to the top five in the UK. Record Mirror readers named OMD the eighth-best live act of 1984. [49]