The World: A Family History

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A staggering achievement. Simon Sebag Montefiore has given us a tremendous gift: a pulsingly readable world history through the millennia and from one end of the globe to the other.” —Sir Simon Schama, author of The Story of the Jews I read The Romanovs a few years ago, and it is still, until this day, one of my favourite Non-Fiction books of all time. This has to do with my obsession with the Romanovs, of course, but also because Simon manages to write utterly entertaining history books... something I did not think anyone was capable of. On the other hand though, it’s worth recording that SSM does perform a kind of service through all the schoolboy chortling. If the book is a bit light on man’s spiritual journey in ancient times, it’s clear enough that most other historians have failed to convey what obsessive and saucy boys and girls we have always been, everywhere. It is simply amazing how many different cultures were fixated on genitalia. From “Abarsam [who] had himself castrated and sent his testicles to the king in a box of salt – surely an example of protesting too much”. to ”After [Andonilos] had been hung upside down in the Hippodrome, his eyes were gouged out, his genitals amputated, his teeth extracted, his face burned..” One element of this study which I think is very valuable is its concomitant examination of many regions, showing the apposition of events in North and South America, Europe, East and West Asia and, at times, the Pacific. Conventional histories generally tend to be based around a nation or region, and it is useful to remember that, at any one time, life was progressing in many different places on the earth. This work attempts to avoid that oversight, although, of course, some regions are overlooked as we dart about the globe. It would simply not be possible to be completely comprehensive. And at times, one theatre and set of actors is dismissed rather abruptly, to be replaced by another. But it is a valuable development at least to show major concurrent Asian, European and North and South American events. This, however, is a separate issue from doing that for the whole span of history. Because there is was so much information, the brief information we get on each family constantly left me wanting more about each family, some more than others but I was left unsatisfied for the entire book. Yet as I took in these much smaller stories of each family, I started to see a much larger story - the history of humanity. How it all happened, how all the little parts fit together to make a much bigger history. It was pretty incredible. I was able to understand in a much clearer way how things played out over the course of humanity, why things are the way they are now.

From the New York Times best-selling author of The Romanovs—a magisterial world history unlike any other that tells the story of humanity through the one thing we all have in common: familiesI wish this had been shorter. I don't think that could have been possible. I feel like I missed a lot, my mind would glaze over if I read it for too long, and since I borrowed it from the library and I had a limited time to read it I had to push myself and read more in one sitting that I would have liked to. This is world history on the most grand and intimate scale – spanning centuries, continents and cultures, and linking grand themes of war, migration, plague, religion, medicine and technology to the people at the centre of the human drama. This is world history on the most grand and intimate scale - spanning centuries, continents and cultures, and linking grand themes of war, migration, plague, religion, medicine and technology to the people at the centre of the human drama. A delightfulworldhistory, told through influential families. . . .Thedevice of weaving togetherthe past usingthemost enduring and essential unit of human relations is inspired. It lets readers empathize with people who helped shape historical events and were shaped bythem. . . .Themethod also allowstheauthor to cover every continent and era, and to give women and even children a voice and presence thatthey tend to be denied in more conventional histories. . . . Despitethebook’s formidable length,there is never a dull moment.Thestory moves at pace across terrible battles, court intrigues, personal triumphs and disasters, lurid sexual practices and hideous tortures. . . .Theauthor tellsthese stories with verve and palpable relish fortheunbridled sex and inventive violence that run throughthem. His character sketches are pithy and witty. . . .Thefootnotes, often short essays inthemselves, havetheacid drollery of Edward Gibbon. . . . Overall this book is a triumph and a delight, an epic that entertains, informs and appalls in enjoyably equal measure.” — TheEconomist

Aan het einde van die dunne dikbedrukte 1.400 pagina's overheerste bij mij dankbaarheid. Ik leef in een zeldzaam vreedzaam tijdperk.Reading this book without any prior knowledge of Irish History one would come away with the conclusion that the most significant thing that happened in Ireland in the 1840s (or any other time between the late 17th and late 20th centuries) was that an aristocratic lady called Eliza Lynch changed her name to Lola Montez and seduced the mad King of Bavaria. Interestingly, he describes an earlier visitor to a Central European Court, Edward Kelly as being an "Earless Irish Necromancer" though he was born in Gloucester and little is known of his ancestry.