Bob Dylan At Budokan

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Bob Dylan Announces New Complete Budokan 1978 Live Album". Pitchfork. 2023-09-07 . Retrieved 2023-09-08. this the layout is also the same as that of the first and second 1980s copies above. The gatefold sleeve is the same Dutchcharts.nl – Bob Dylan – Bob Dylan At Budokan" (in Dutch). Hung Medien. Retrieved March 7, 2021.

CBS 96004 (Italy) - detail of rear of gatefold sleeve, scan by Manuel García Jara (1979 release, Dutch "LC 0149" detail obscured) Simister, Paul (2012-04-11). "Bob Dylan At Budokan 1978". The Best Live & Studio Albums . Retrieved 2023-09-12. Columbia CDCBS 96004 (Australia) - detail of CD2, scan by Stuart Moore (first release - "2-CDCBS-96004" in inner

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The records of Manuel García Jara's copy have matrix numbers: Side 1 - 467850-A (handwritten) 96004-A Germany). The records of the East German set were manufactured at the Amiga pressing plant in Potsdam-Babelsberg It’s Alright, Ma (I’m Only Bleeding) [Live at Nippon Budokan Hall, Tokyo, Japan – February 28, 1978] 6:34 I Don’t Believe You (She Acts Like We Never Have Met) [Live at Nippon Budokan Hall, Tokyo, Japan – March 1, 1978] 4:23 The Bob Dylan World Tour 1978 marked the artist’s first international concert dates since 1966 and his first live shows since the Rolling Thunder Revue blasted through North America in 1975-76. A major international musical event, the year-long tour found Bob Dylan performing 114 shows in Asia, Oceania, North America and Europe, to a combined audience of two million fans.

The very fact that we can even listen to these two shows in such pristine quality is in itself truly amazing given the length of time the long-forgotten tapes had languished hidden in the archives before being first discovered in 2007 and only then finally resurrected in 2022. But once you do hear them, you begin to realise how Dylan’s sound was evolving from the wider use of instrumentation that underpinned the Rolling Thunder tour, to embellishing it with further orchestration into the big band arrangements we have on this tour. It is also much clearer to see how Street Legal emerged and, whilst the religious imagery had not yet started to take over Dylan’s writing, the arrangements that followed through in the gospel-infused tours that were to follow on from 1979 seemed like a natural progression. have matrix numbers as follows: Side 1 -01-96004- 2A-2,Side 2 -01-96004- 1B-2,Side 3 -01-96004- 3C-2,Side Columbia CDCBS 96004 (Australia) - detail of CD1, scan by Stuart Moore (first release - "1-CDCBS-96004" in inner

Credits (30)

MILLION DOLLAR BASH" (PDF). Cash Box. May 17, 1986. p.35 . Retrieved December 9, 2021– via World Radio History. I Threw It All Away is deeply impassioned with that gospel feel oozing from the grooves whilst Love Minus Zero/No Limit has an uplifting country feel replete with fiddle and flute. Ballad Of A Thin Man is a triumphant vocal performance whilst noting that Dylan has made some lyrical changes to the song. Maggie’s Farm is immediately unrecognisable but indicative of many transformations to follow on subsequent tours. lyrics (from the studio versions, not always as sung here live). The records of Phill Townsend 's white label copy have Hans Seegers for information and to Sergio Magnacca and Manuel García Jara for further information and One of Us Must Know (Sooner or Later) [Live at Nippon Budokan Hall, Tokyo, Japan – February 28, 1978] 4:32

Chief engineer Tom Suzuki says, "We mixed the record with the keyword 'passion' in mind. The result is a mix that surpasses the original 1978 release, providing a crisper and clearer sound where each instrument and Bob Dylan's voice are distinctly audible." Bob Dylan shares 'The Man in Me' live in Budokan, 1978". faroutmagazine.co.uk. 2023-09-07 . Retrieved 2023-09-12. The records of this copy have handwritten matrix numbers: Side 1 - AL-36068 1A 2HZD, Side 2 - BL-36068According to Tetsuya Shiroki, co-producer of The Complete Budokan 1978, the newly restored, remixed and remastered recordings “capture two days of this history-making tour. Nothing has been removed or altered in any way.” Columbia CDCBS 96004 (Australia) - outside of unfolded booklet, scan by Stuart Moore (first release)

One More Cup Of Coffee (Valley Below) [Live at Nippon Budokan Hall, Tokyo, Japan – March 1, 1978] 3:29

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CBS SCBS 2335 (Zimbabwe) - detail of Side 1, scan by Lars M. Banke (variant 1 - "MARKETED AND DISTRIBUTED BY Offiziellecharts.de – Bob Dylan – Bob Dylan At Budokan" (in German). GfK Entertainment Charts. Retrieved March 7, 2021. We get one cover song each night, a standard set for the tour. Night one we get the sauntering blues of Repossession Blues by Roland Janes from Memphis, with Billy Cross featuring on guitar and night two we get the hard driving 12-bar blues of Tampa Red’s Love Her With A Feeling. The audio recording is from shows on 28 February and 1 March 1978. Columbia Records released this double LP in Japan on 21 August 1978. Later that year, it was released in Australia and New Zealand. On 23 April 1979, spurred by extensive importing and at least one counterfeit European edition, Columbia released the album to worldwide markets. [2] The shows were the fourth and fifth in an eight-show appearance at Nippon Budokan Hall in Tokyo, Japan.