BOSS Dd-3T Digital Delay Effects Pedal, Digital Delay for Modern Players, Easy Operation for Fast Sound Creation

Product Information

These pedals constantly survive the rigours of rock 'n' roll touring, and that's why they're seen at the feet of top touring pros everywhere. Learn the differences between analog and digital delay guitar pedals and how to best utilize them in your setup. This model includes A and B jacks for the inputs and the outputs, allowing for true stereo operation, but it can also be used for mono, mono‑in, stereo‑out, wet/dry outputs, and wet out only. If it is deemed that the repair is required due to any of the areas covered, Rimmers Music will pay for the expert and the subsequent repair or replacement.

The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Normally the maximum delay time using the Time knob is 800ms or, in GLT mode, 400ms, but going in via jack A and out via jack B doubles the time. Launched in 1986, Boss’s DD‑3 is a genuine classic: a straightforward workhorse of a pedal that sounds clean, is easy to use and small enough to fit onto a pedalboard. All guitar necks move and change over time so we will make sure that your frets are nice and flat as we go up the neck. By plugging a cable into the direct out converts the main out to delay only, therefore allowing you to send wet/dry signals to different amps.

The original DD-3 (and DD-2 before) included a forward-thinking Hold function, which allowed you to capture a sound up to 800 ms long, play it continuously, and jam over the top.

As with most Boss compact pedals, a 9V battery can be fitted under the pedal by releasing the thumbscrew at the back of the moving pedal section; an alkaline battery will give around 11 hours of use, though a PSU is probably more practical in the long term.Designed with identical sonic circuitry and controls, you get the legendary digital delay sound that's been heard in countless recordings over the years. Also, unlike some delay units on which the delay time control adjusts the system clock rate, you don’t get a completely smooth speed change when adjusting the delay time knob during performance, so the dub fraternity would need to look elsewhere if that’s a deal‑breaker.