Love Like Blood: 14 (Di Tom Thorne)

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Clearly this is not just another murder mystery, but a novel with a mission. The statistics horrify. 3000 honour crimes reported every year, these often disguised as something else to protect "grieving" families from prosecution. People can be hired to do the deed - some acting from fervent religious beliefs, others because they simply enjoy killing especially when it pays so well. Official figures are that there are around a dozen or so honour killings in the UK each year, with around five thousand each year globally - a thousand of these killings take place in Pakistan alone. However according to the police many of these crimes are unreported and if you include assault, mutilation and kidnapping in with honour based violence then the figures are totally staggering. It is estimated that the true figure for the UK alone would be 20,000. Any woman who deviates from some arbitrary patriarchal law is at risk. You can be killed for simply smiling at someone the wrong way. As to the wider state of the crime nation, he detects that the Scandi-crime era may be coming to an end. "And that's probably not a bad thing. One of the downsides has been that it has slightly closed the door to crime fiction in translation from other countries, and there have been fewer Spanish or French or Italian writers published in the UK than there might have been. But in general terms we are, arguably, living through a golden age. Crime is the biggest genre in libraries and in bookshops, and it is hugely varied. From the gentlest reworkings of vicarages and cups of tea right through to things that come pretty close to torture porn. Go to a bookshop in America and there are golf mysteries, cat mysteries, cooking mysteries, cat and cooking mysteries … "

Learning the unpleasant differences between crime fact and crime fiction...". Article by Billingham for The Sunday Times. Accessed 10 February 2008. This was fabulous writing and excellent reading and I highly recommend it. I've loved the Thorne books for a long time, and now enjoy the character of Nicola Tanner. The topic definitely will stimulate discussion of this heinous practice and hopefully lead to its termination. The novel opens with Tom Thorne bumping into DI Nicola Tanner whom he worked with in Die Of Shame. Nicola is grieving for her partner, Susan, who was murdered a couple of weeks earlier and is on compassionate leave. She is obviously excluded from the investigation which she believes was a case of mistaken identity linked to her investigation into contract honour killers and she wants Tom to help her in an unofficial investigation. But Nicola has other plans. She figures her partner was killed because she was getting too close. All she needs is another cop willing to help, someone with a fluid regard for the rules who won’t mind colouring outside the lines if necessary. Someone like….oooh, I don’t know….Tom Thorne, maybe.Buried (Little, Brown & Company, May 2006), ISBN 0-316-73050-5; Orbit, May 2006, ISBN 0-356-24410-5; ( HarperCollins, August 2007), ISBN 0-06-125569-6 DI Tom Thorne steps on more toes than usual to help out Nicola Tanner, a detective who’s supposed to stay even further away from the case at hand than he is. Billingham and Thorne share a birthday and a fondness for country music, among other things. "He is the person I get stuff off my chest through. If he is banging on about public transport or the health service, then that is probably me. But here I have six major characters to play with, and it's not just a 50-year-old bloke writing about a 50-year-old bloke. It feels far more like an acting job, which I guess is no coincidence as I've always enjoyed putting on another person's shoes."

I am so familiar with these characters that the books are so easy to read that I look forward to each new book in the series. In 2002, he was "in the middle of writing a screenplay for an Andrew Lloyd Webber musical and about to write a screenplay for a cult children's show," a sci-fi drama for the BBC, but turned to writing novels. [3] [9] Novels [ edit ] Hard-headed yet big-hearted, DS Declan Miller will have you on the edge of your seat—screaming with laughter one moment and surprise the next. Billingham blends caustic humor, raw emotion, and rollercoaster thrills. His new series is bursting with wit, charm and intriguing, complex characters. Save The Last Dance for when you want a fast, fresh, and totally absorbing read.”— Janice Hallett, bestselling author of The Appeal You can read the full text of that letter here. In this review, meanwhile, we’re pleased to report that all that passion has been channeled into what is a gripping and at times brutal story. It feels relevant. It feels conflicted. It’ll give you a knot in the stomach. And, it’s pretty uncomfortable reading, too. The more that they look into the reasons for Susan’s murder, the clearer it becomes that it could well be linked to a series of open cases, potential honour killings, that Tanner had been working on. Could it be that her enquiries within the local Asian community had ruffled one too many of the wrong feathers. When two young Asian friends go missing after a night out, it becomes clear that this is no straight forward case of families taking revenge. It runs far deeper than that and the consequences of the investigation are potentially lethal.Lazybones (Little, Brown & Company, July 2003), ISBN 0-316-72493-9; ISBN 0-316-72494-7; William Morrow US (June 2004), ISBN 0-06-056085-1 Billingham became the first crime writer to win the Theakston's Old Peculier Crime Novel of the Year Award twice when his novel Death Message won in 2009, [10] against Reginald Hill, Val McDermid, Ian Rankin and Lee Child. Billingham's novel Lazybones won the Theakston's Old Peculier Crime Novel of the Year Award 2004 and he won the same award in 2009 for his novel Death Message. [10] In The Dark was nominated for the Crime Writers Association Gold Dagger at the 2009 Crime Thriller Awards. [18] In 2011, Billingham was inducted into the ITV3 Crime Thriller Awards Hall of Fame. Prior to this book, I had no idea that honour killings existed outside countries like India or Pakistan. So I was horrified upon reading Marks notes at the end of the story, to find that this is a growing problem in The UK. A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.

Dancing Towards The Blade" in Men From Boys by John Harvey (ed.) ( Arrow Books, September 2004), ISBN 0-09-946152-8 Much less a whodunnit and much more a twisted tale to the full truth of the matter, Tom is pulled into a contrary situation by Nicola Tanner (see Die Of Shame ) who having suffered a horrific personal lost is determined to bring those responsible to justice. Convinced it is tied into a theory she was investigating she hopes Thorne will show his usual disregard for procedure and follow the leads unconsidered in the main investigation. So there we begin.. After graduating with a degree in drama from the Department of Drama and Theatre Arts, he helped form a socialist theatre company, Bread & Circuses, in Birmingham. Bread & Circuses toured with shows in schools, colleges, arts centres and the street. [3] In the mid-1980s he moved to London as a "jobbing actor", taking minor roles in episodes of TV shows Dempsey and Makepeace, Juliet Bravo, Boon, and The Bill. [2] [4] After playing a variety of "bad guy roles such as a soccer hooligan, drug addict, a nasty copper, a racist copper or a bent copper", he claimed that he had become disenchanted with acting and that the emphasis was not on talent, but on looks. [3] Tanner is put on compassionate leave, although she badly wants to investigate her partner Susan’s murder. And, she feels guilty because it appears as though she was the intended victim. Although Tanner usually follows the manual by the letter, to work the case she needs someone who really is known for winging it. Enter DI Tom Thorne, whose erratic and sometimes confrontational approach gets his superiors riled, but also gets results. He agrees to Tanner’s request and goes steaming right in.

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The subject matter, honour killings, is not something I know much about as it is necessarily secretive and a political hot potato, as is made abundantly clear in the novel. Mr Billingham, however, is informative on both the mindset and the politics and does an excellent job of presenting all sides of the argument although some of it is quite distressing.