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Hardwired...To Self-Destruct

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Okay, it might not be the most inspiring song title, but that doesn’t really matter. What does matter is that it’s the one song Rob Trujillo co-wrote, and you can tell in its much looser approach to Metallica’s grand metal offerings. With its revving riffs and obvious political overtones, it’s metal with a message, but sadly it begins to lose focus and the edge is gradually softened. Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved December 1, 2016. Metallica: 91 (The Making of "Dream No More")". YouTube. November 28, 2016. Archived from the original on November 11, 2019 . Retrieved December 2, 2019. Portuguesecharts.com – Metallica – Hardwired... to Self-Destruct". Hung Medien. Retrieved December 5, 2016.

Austriancharts.at – Metallica – Hardwired... to Self-Destruct" (in German). Hung Medien. Retrieved December 1, 2016. Falina, Melanie (March 5, 2015). "New Metallica album expected to drop soon; 20 new songs written thus far". AXS. Archived from the original on April 24, 2016 . Retrieved April 28, 2016. It was only much later that I began to understand that I’d been listening to Metallica all wrong. Metallica isn’t about playing as fast as possible, it’s not about who can shred the best, it’s not about dual guitar harmonies; it’s about moods, hooks, grooves, dynamics and structure – the fundamentals of a great piece of popular music. DiVita, Joe (November 16, 2016). "Metallica Rolling Out Videos for Every Song Off 'Hardwired … To Self Destruct'; 'Dream No More' Out Now". Loudwire. Archived from the original on November 17, 2016 . Retrieved November 16, 2016. Spanish album certifications – Metallica – Hardwired... to Self-Destruct". El portal de Música. Productores de Música de España . Retrieved December 1, 2017.

Credits

a b Begrand, Adrien (November 18, 2016). "Metallica Hardwired... to Self Destruct". PopMatters. Archived from the original on November 18, 2016 . Retrieved November 18, 2016.

Schweizer Jahreshitparade 2017 – hitparade.ch". Hung Medien. Archived from the original on April 23, 2021 . Retrieved December 31, 2017.

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Oh, and the deluxe version also has a neato final version of "Lords of Summer" that is surprisingly awesome, but I'll not be mentionin' where I obtained that bit o' treasure to ye. Yo ho, yo ho~ Theoretically, it would be possible to put all 12 songs of the album on one CD (and bootleggers do just that), but it seems to be a very good decision to split material into two discs – so you'll be not tired of long listening and it allows you to duly appreciate all the stuff. Well, the first disc is undoubtedly better than the second one, to take at least the fact that it contains the main "hits" of the album: the second "Atlas, Rise!" and the fourth "Moth into Flame". But the second disc, perhaps, requires a more thorough reflection. Right, if the first disc is "pop music", then the second is... hmm, "intelligent dance music"? Be that as it may, I do not recommend listening to both discs in a row – the second should be listened to in isolation from the first. Adams, Cameron (November 29, 2016). "Metallica have the fastest-selling album in Australia for 2016". News.com.au. Archived from the original on November 26, 2020 . Retrieved November 30, 2016. Yes, Hardwired... to Self Destruct is probably their WORST album they've made so far, and I never thought anything could be worse than St. Anger, but they've done something so horrible, that nobody should be listening to this garbage. When I heard Hardwired for the first time, I was thinking this would be a great album. Then I saw the weak album cover, and something saying that this album would be more like Load with the sound of Death Magnetic instead of something as good as Kill Em All or Ride the Lightning. Moth Into Flame was just a garbage song proving that they're just a bunch of talentless tryhards who only care about money and being "Badass" than actually creating good music. The Production sounded like a modern pop song, and Kirk Hammett's solos are unoriginal and repetitive. He literally just plays a bunch of random riffs or random notes 4x then something else instead of playing an actual solo. Anyway, you start with good intentions, with “Hardwired”, “Atlas, Rise!”, “Moth into the Flames” which have all strong trash metal riffs and an excellent guitar work (James Hetfield delivers fantastically in this album) but fail to keep this strength as they weaken in the choruses and lose themselves in mid-tempos, intersections and rhythmic changes that breaks the flow. Kind of frustrating, but this will endure so…better accept this before listening to HTSD.

I can not ignore the "reverse side of the coin." Well, most likely, "Hardwired... to Self-Destruct" is a commercial move. Metallica are good managers, they'd thought this album out properly: it would be possible with the help of this work to attract into the army of their fans followers of the new generation, as well as to revive the interest of the old ones. Well, it worked – at least as applied to me. I really like "Hardwired... to Self-Destruct", I listen to it quite often. Definitely it's not "Load" or "ReLoad" or "St. Anger" or... Ok then. Destroys the CD easily. Great sharpness and clarity. The music is very sweet, very colourful and the instruments sounds incredible. It has so much depth. The moment you hear the gallops to Hardwire you hear the mass already. The atmosphere of the songs has their charm to it. The CD is missing that out for it being abrasive and harsh Archived copy". Archived from the original on April 9, 2017 . Retrieved April 9, 2017. {{ cite web}}: CS1 maint: archived copy as title ( link) Sadly, this seems like a plague that has befallen the big 4 of thrash throughout their winding careers but at least bands like Megadeth and Anthrax did provide exciting new material this year and have been more or less consistent throughout their musical output while at the same time evolving, taking notice of and assimilating the talent arising from young bands who are crossing the Rubicon of musicianship into uncharted territory. But Metallica and Slayer, especially Metallica had been treading the swamp of redundancy for such a long period that it would have been extremely mortifying if they delivered another failure of an album. Metallica's 'Hardwired' Hits 1 Million Sold in the U.S". Billboard. Archived from the original on July 9, 2017 . Retrieved April 21, 2020.

San Francisco's metal overlords finally recapture their mojo

Anuario Sgae De Las Artes Escénicas, Musicales Y Audiovisuales 2017 – Música Grabada" (PDF) (in Spanish). p.28. Archived (PDF) from the original on September 24, 2017 . Retrieved February 28, 2021.

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