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Propaganda department” is no exaggeration here: the Ministry of Information’s building inspired George Orwell’s description of the Ministry of Truth in Nineteen Eighty-Four. ↩︎ When Roger Ebert taught Krzysztof Kieślowski’s Dekalog ( The Decalogue , 1989) at the University of Chicago, he had difficulties pairing the Ten Commandments with the ten films. According to Ebert, “there was no 1-1-correlation” (1). In the American DVD release of the film, however, each film is explicitly paired with a commandment. Dekalog, j eden ( The Decalogue 1) is paired with the commandment “I am the Lord thy God. Thou shalt have no other Gods before me.” This pairing is perhaps the least controversial. The film, which Ebert describes as the “saddest” in the cycle, tells the story of an atheist computer scientist Krzysztof (Henryk Baranowski), his son Pawel (Wojciech Klata) and their misplaced faith in the knowledge of humanity. Even Ebert suggests that the film fundamentally concerns the computer as a “false god”. Ewa tries to breastfeed Ania without any milk. Wojtek tells Majka that Ania needs a home with milk.
In the 2012 polls Dekalog received six votes from critics including Kenneth Turan and one vote from director Milcho Manchevski as the Greatest Film of All Time. [22]The way A Short Film About Love moves from realism to metaphysics may be emblematic of the shape of Kieślowski’s career. Graduating from Poland’s famous Łódź film school amid the turmoil of the late 1960s—which saw student protests and a government anti-Semitic campaign, then working-class protests over rising prices that culminated in the unseating of Party First Secretary Władysław Gomułka—Kieślowski, throughout the subsequent decade, would often define his project as one of describing the world. Along with various other artists associated with the seventies Young Culture movement, he argued that Polish reality required description before it could be changed. Observational (“fly-on-the-wall”) and interactive (“talking-head”) documentary filmmaking, which had come to the fore in the sixties, were particularly well suited to this task, and Kieślowski’s documentaries would all fall into one or the other of these categories; indeed, he would even, in 1980, call one of his most haunting films Talking Heads (he liked self-deprecating but accurate titles: cf. A Short Film About Killing). His later move away from documentary is often attributed to his growing fear of harming his subjects through their candid self-revelations, some of which he provoked. Unsurprisingly, therefore, he would resist television transmission of the documentary From a Night Porter’s Point of View (1977),whose interviewed subject voices his support for public hangings. Kieślowski’s quarrel, continued by fictional means in Dekalog: Five, was less with the protagonist than with the punitive worldview the porter exemplified. But if the move toward fiction seemed to end the project of description, an overlooked statement in Kieślowski on Kieślowski casts it rather as that project’s logical next step: “Only when you describe something can you start speculating about it.” This is most obviously the case in Blind Chance (1981), made as his move to fiction was consummated, though shelved at the time by the authorities, where one contemporary character’s experience of three contrasting political and apolitical lives prompts the question (critics posed it again and again) whether any is the “true” one. Fiction is the speculation that follows from description, its question being, What is it that lies within?
Dekalog: One," the initial piece of Krzysztof Kieślowski’s monumental series "Dekalog," opens the curtain to a world where morality and human choices intertwine in a dance of poignant revelations and inevitable consequences. Set in Poland, it paves the way to explore intricate human relationships and ethical choices, making it a must-watch for aficionados of Eastern European cinema. Director's Vision This list was criticised on publication (not least by The Economist itself a few days later) for including no women and being overly academic. ↩︎ Modern Times - UK Critics' Top Ten Poll". British Film Institute. December 2002. Archived from the original on 7 March 2012 . Retrieved 13 May 2020.For the last year international travel has been all but impossible. Travel anywhere, for that matter: I last left London 9 months ago. I’ve missed exploring. Adventure. I haven’t been to the EU since the UK left last year, but the pandemic couldn’t stop me visiting the EU … Although the current round pens carry a similar refill and write just as well, I’m still a little sentimental for the hexagonal pens. I alternated between fountain pens and these MUJI pens for most of the mathematics I wrote at university: their narrower line width was useful for drawing out intricate symbols next to prose. Carr, Jay (2002). The A List: The National Society of Film Critics' 100 Essential Films. Da Capo Press. p. 81. ISBN 978-0-306-81096-1 . Retrieved 27 July 2012. At the end you see that the Commandments work not like science but like art; they are instructions for how to paint a worthy portrait with our lives. According to the table, the nameless character does not appear in Dekalog Seven. However, the DVD box set shows a man on crutches getting off the train, and includes Artur Barciś in the credits at the end. So there must be two different versions of Dekalog, the original and the digitised.
They made 10 films, each an hour long, for Polish television. The series ran in the late 1980s, played at Venice and other film festivals, and gathered extraordinary praise. But the form was ungainly for theatrical showing (do you ask audiences to sit for 10 hours, or come for five two-hour sessions?), and “The Decalogue” never had an ordinary U.S. theatrical run, nor was it available here on video. Now, at last, it is being released in North America on tapes and DVD discs. Or look at the moral switch in “Decalogue Six,” which is about a lonely teenage boy who uses a telescope to spy on the sex life of a morally careless, lonely woman who lives across the way. He decides he loves her. They see each other because he is a clerk in the post office. He takes a morning milk route so he can see her then, too. Almost inevitably, she finds out he is a peeping tom (and also an anonymous phone caller, and a prankster), but we can hardly guess what she does then. The 100 Greatest Films of All Time". British Film Institute. Archived from the original on 2 September 2012 . Retrieved 21 October 2020.I am the Lord thy God... thou shalt not have other gods before me. Thou shalt not make unto thee any graven image... Thou shalt not bow down thyself to them, nor serve them. As much as our intentions may be good, New Year’s resolutions mostly fail through poor goal setting: all of the above are much to vague for a start. Plenty has already been written in favour of using SMART goals but I think we should approach resolutions differently.
Ten commandments. 10 episodes. 10 hours. When it first aired on Polish television in 1989, decades before long-form filmmaking would come to be regarded as the last bastion of auteurism, Krzysztof Kieślowski’s “Dekalog” was one of the most immense undertakings the cinema had ever seen. There had been longer works, and more lavishly financed ones — even when accounting for inflation, “Dekalog” would qualify as a micro-budget project — but the existential girth of Kieślowski’s magnum opus immediately made it feel like a monolith among molehills. The intersection of GPUs and compilers is small, but happily for the last couple of years I’ve worked on the compiler for Metal’s shading language and the driver for Apple Silicon GPUs. A strange series of accidents lead me here, but I can draw a line from that Year 10 form room to my career today. Thomas Piketty’s work on income inequality is much cited and discussed; he is considered one of the most influential living economists. I’ve seen his name crop up a lot recently, especially in articles about the economy after coronavirus. However, there’s just one problem: journalists can’t seem to resist mentioning that he’s the “ French economist Thomas Piketty”. Instead, let’s find goals that are easy to implement, and that if implemented are likely to succeed. Most traditional New Year’s resolutions seek to maximise the effect of their change, without taking into account its probability of succeeding. If we instead seek to maximise the expected outcome of the change, we can look at maximising the probability of success. In loose Bayesian terms we might write: P(success) = P(succcess | implementation) * P(implementation) Amongst Economist articles Piketty is an even more extreme outlier. I’ve found no evidence in The Economist Style Guide that the publication requires the use of nationality or profession when introducing individuals, and the data show this is true of other economists. In conclusion, I’ve absolutely no idea why the newspaper so frequently introduces him as the “ French economist Thomas Piketty”, but they certainly refer to his nationality and occupation a great deal more than they do of his peers.
Dekalog: One
At Eastern European Movies, you're invited to immerse yourself in the captivating world of Dekalog: One (DEKALOG, JEDEN), a cinematic journey hailing from Poland. Released in 1989, this film is a quintessential piece of Drama and TV Series, deftly crafted by the renowned director Krzysztof Kieslowski, and brought to life through the compelling performances of a skilled cast, including Henryk Baranowski, Maja Komorowska and Wojciech Klata. The words “and so on” demarcate the interface of ordinariness and metaphysics. Concern should not stop at the image but delve into and develop it—like Thomas in Antonioni’s Blow-Up—to see what else it may contain. No wonder Dekalog: Four ends with the perusal of an enigmatic yet very everyday photograph. No wonder the end of Three Colors: Red discovers new meaning in a fashion photograph of Valentine. No wonder Magda, seated beside another Thomas in A Short Film About Love, uncovers the stolen lens of Dekalog: Six to indicate that the truly short film cannot simply end or end as simply as it seems to, puts her eye to it, and seems to review old footage, to see as he surely saw himself in dreams: as meeting her, however fictively, where we all meet most truly, in our need. Good defaults are essential to nudging: if we automatically fall down “the right path” then we’re maximising P(success | implementation) because we don’t need to do anything differently once we’ve implemented the change. By making the change easy, we maximise P(implementation). In some episodes the connection is obvious: I doubt anyone would miss “thou shalt not commit adultery” in Dekalog: Six or “thou shalt not cover thy neighbour’s wife” from Dekalog: Nine. Artur Barciś appears as a silent, angelic character in most of the episodes, offering glaring warnings to characters as they are on the precipice of breaking a commandment.
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