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The Lost Spells

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We want to enchant people with the utter wonder of what a bird is and does. People talk about birdbrains but you think, ‘Oh. My God… I wish’. Humans are so full of their cleverness but imagine being able to navigate by scent or the stars.”

An engagement programme delivered by The Sill: National Landscape Discovery Centre will run alongside the exhibition, including creative workshops, Ranger activities, walks and talks, and a learning and education programme. The Lost Spells: Listening to a Landscape of Voices is curated by The Sill: National Landscape Discovery Centre, which marks its 5 th anniversary in 2022. The Sill hosts a range of exhibitions, programmes and events designed to connect people with the landscape, and is the gateway through which people can explore the unique and special landscape of Northumberland National Park. And as if the book couldn't get any better, it is filled with the most stunning watercolor illustrations of all the beautiful wildlife Robert Macfarlane is writing about! What we’re trying to do is make birds visible to people who don’t see them because a lot of people pay them no regard.Writer, Robert Macfarlane, said: “The fabulously varied landscapes of the North East are close to my heart – from coast to moor, forest to hill-top – so it’s a joy to see our book The Lost Spells at the centre of this brilliantly curated and original exhibition at The Sill. I hope that it will help visitors young and old to listen afresh to nature’s wild wonders, and to tune in to the lives, songs and voices of the creatures and plants with whom we share the world.” Morris, an illustrator who has sold more than 1m books worldwide, said: “I hope The Lost Spells will be something people can carry with them in these difficult times, as a place for the mind to rest. I hope it will help children to re-enchant their parents with the wild wonder and beauty of the world around them.” I loved this book; it’s a book I will revisit and a book I will encourage others to read because despite increasing decline and modernisation, the natural world is still on our doorstep: she is still there if we are willing to look and to appreciate her. Lets make an effort to understand her magic and (better yet) keep it alive. A series of spoken word pieces, wild nature calls and acoustic music created by musicians from the Spell Songs ensemble – the musical evolution of The Lost Words and The Lost Spells books – will create an ambient soundscape which invites audiences to listen to what nature is telling us. Have you ever danced a folk waltz? With someone who knows how? Floating, flying, fleeting—fantastic. Opening The Lost Spells is like stepping into a room of flannel-clad strangers who dance like gods. It is a book of what was once called poetry: words that conjure meaning through our ears’ encounter with their sounds. These new “spells to be spoken aloud,” urge us to wonder at real, half-forgotten things, like egrets and oaks, swifts and silver birches, and the sound of spoken rhymes. They invite us to stray into a fading world that is steeped in the spirituality of physical experience.

Inspired by the poems in The Lost Spells, which are designed to be read aloud, we’ve used audio throughout the exhibition to encourage visitors to listen to the sounds of nature and consider how habitat loss, climate change and our collective impact on biodiversity could see some of these sounds lost forever.The Lost Spells is a celebration of the natural; it is a collection of prose poetry about foxes and trees and birds and rabbits and flowers: it is an elegy to what we are losing and what we must try to retain. Something special happened in my mind and heart when he read out his spells. It was hearing the combination of the beauty of wildlife and the lyricism or melody of each word, that set my mind on fire in a sense! That's when I knew my first Robert Macfarlane book had to be the lost spells! Casting Style - Purely cosmetic, changes the casting animation when using the spell. Has an unique "Roar" option.

Amy-Jane Beer, a writer and naturalist who led a successful campaign to get The Lost Words into more than 600 schools in north and east Yorkshire, said the book conveyed the “profound wild magic” of the natural world to children and adults.Casting style - Purely cosmetic, changes the casting animation when using the spell. Only has two unique options: Right and Left Javelin Throw. The love of and for nature that Macfarlane and Morris are feeling is palpable - and infectuous. I also found myself learning the odd thing or two while reading their books. Diese kleinen Kunstwerke sollen helfen, die Natur besser zu verstehen, sie deutlicher zu sehen und ihr mehr zuzuhören. Ich hätte nicht gedacht, dass diese unscheinbaren Bücher mich so verzaubern und zum Träumen einladen. Doch trotz all der inhaltlichen Schönheit, habe ich den unterschwelligen Hilferuf, die Natur bewahren zu müssen, verstanden. For me, personally, that book was beautiful but too large (impractical) and seeing this new collaboration, I probably wasn't the only one.

We’re excited to present The Lost Spells exhibition and host it here in Northumberland, where we have the opportunity to galvanise people’s support to conserve and protect the natural world.” Crowd-funded campaigns resulted in the book being bought and donated to more than three-quarters of primary schools in England, Wales and Scotland and to every hospice in the country.

The Lost Spells: Listening to a Landscape of Voices opens at The Sill: National Landscape Discovery Centre in Northumberland on Saturday 23 July 2022 and runs until 4 June 2023. Diese beiden Büchlein beinhalten eine Mischung aus Gedichten und Sprüchen, welche sich einer ganz besonderen Wortwahl bedienen. Wörter, die man heutzutage selten bis gar nicht mehr hört.... As well as being a celebration of their spellbinding work, this new exhibition is a chance for visitors to learn more about Britain’s native species, many of which can be found in Northumberland National Park, and how together we can protect them for future generations to enjoy.

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