Neunaber Immerse Mk II

Product Information

Spring– The distinctive twerp of a tube-driven spring reverb. Now with adjustable modulation speed, it can achieve a vibrato-spring sound. Sustain– A new algorithm built on the W3T reverb. This magical, versatile effect can be configured as a sustainer or infinite reverb. Hall sounds similar but with a nicely judged pre-delay to keep the dry sound further out in front, and is equally luscious with a dash (or more than a dash) of modulation. Plate differs subtly again, adding some metallic density, and this time you can adjust the length of pre-delay. Inevitably, that’s at the expense of modulation – a minor compromise, but perhaps the first sign of the compact format’s limitations. FEATURES Mono and stereo inputs and outputs, buffered bypass, powered by 9V mains supply only (not supplied)

The Hall is what the standard norm of hall is but just so realistic it is transporting. I use this more in live environments as it is more natural. Take the tone knob up to ¾’s and you really get a special psuedo-shimmer compliment without being as overwhelming as most shimmers. There’s a lot to go over here but I’ll keep it simple and focus on the more advanced features. Volume (how loud the wet signal is), Depth (how long the wet signal lasts), Type (which of the above reverbs to use), and Tone or Echo Time (Brightness or darkness of the wet signal or delay time of the echo setting). I probably woulda set this up with all my effects up to the splitter like I am running into an amp, then I would reverb one side and DI each side, a stereo unit would work well Shimmer – Reminiscent of a synth pad that follows what your instrument plays, this effect combines the best qualities of our previous shimmers. Plenty, sounds fantastic, loads of options without being too much, easy to configure, compact, not too power hungry at 80mA. Stereo, top quality parts.An absolute monster of a reverb. Will take you to places you've never played. I've played it for nearly 3 months and it has changed everything for me. Detune – Adds a detuned double of the dry signal with reverb, now with true blend control between detune and detuned reverb. Boasting an analogue dry-throughsignal path for low noise and zero latency, the Immerse MkII also sports a high-quality buffer to ensure that your signal remains strong and clear. Stereo outputs also let you take full advantage of the incredible reverbsoffered by the unit, so that you can achieve an ultra-wide wall of soundwhen using two amplifiers. Modes: What of the other settings on the immerse? The other algorithms on offer consist of the usual spring, hall and plate then some more unusual offerings; sustain, echo, detune and shimmer. The plate hall and spring are exactly what you would expect if you have ever used any other reverb. They are excellent algorithms and I find myself if not using the W3T using the hall for a wide cavernous reverb. Spring – The distinctive twerp of a tube-driven spring reverb. With adjustable modulation speed, it can achieve a vibrato-spring sound.

Neunaber make pedals for the ambient guitarist. Their range of shimmers, verbs, and modulation are all created using digitalalgorithms but with the quality you would expect out of an all analogue circuit. The Immerse Reverberator is a multitype reverb pedal that covers everything from the subtle to the insane. The Immerse Mk II raises the bar with eight rich stereo reverbs in one easy to use pedal. No user manual required. Experience studio-quality tone that can be used with instruments of all stripes. W3T (Wet version 3)— exclusive to the Mk II, our new flagship reverb is smoother and more three-dimensional sounding than ever before. Now with adjustable pre-delay, it enhances what you play without covering it. Detune– Adds a detuned double of the dry signal with reverb, now with true blend control between detune and detuned reverb.The sustain algorithm is an odd one. It can be configured as a sustainer or an infinite reverb. I think I have only used it in the sustainer mode and need to try it in infinite. As a sustainer it only sustains the notes as you play them and once you move to another chord or note it cuts out, this could just be user error, but it wasn’t something I explored further. Echo is more of a reverb with a bit of delay, which could be useful to make a sound even vaster. It’s again not an algorithm I’ve spent much time with. Other misc features are: Stereo in and out, Kill Dry Switch (externally accessible), Trails Switch (externally accessible). The Kill Dry is much more helpful than I anticipated. While it does have more practical uses for how you wire up your rig, I use it mainly to shape my reverb tone. The fact that this is external is brilliant. There are no favorite switches or taps and this will never plug into your PC for updates like their Expanse series.