All You Need to Know about the Music Business: 10th Edition

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There you have it. My top 10 essential readings when it comes to the music business. Of course, there are many more to read, including various articles and online courses. But these, I feel should empower you a lot and come to your aid when you step into the music world. Heritage artists are mostly making their money off touring. It’s very difficult if not impossible for them to get on the radio, because their audience is older and not that interested in new music. They will have some success with it, but not at the level they enjoyed in their heyday. They also make money off their catalogs, which still sell quite well and make some money for them as well. Sure it’s an ocean of artists out there and music listeners don’t pay a lot of money but it’s also easier than ever to record and publish the art form that is music. You can do it sitting from your home for practically free.

All You Need to Know about the Music Business: 10th Edition

Can you give some solid examples of people who were really taken advantage of because they didn’t understand the business side? Exactly. And they also don’t care how many times they are told “No,” or how many obstacles are put in front of them; they just keep moving. I was also told that Van Halen actually didn’t have a lawyer during their biggest touring years. This allegedly cost them millions of dollars. You mentioned the digital landscape has experienced the biggest change of all the music industry areas in the past few years. Are there any other major changes about how to make it in the music industry that you outline in the Eighth Edition of All You Need to Know about the Music Business?Herstand walks you through everything here from the ground up, citing his own personal experience, quitting his barista job and diving in fully to be an independent musician. The book explains the importance of things like establishing a constant presence on social media, getting songs placed in film and TV shows, and building a grassroots fanbase. And of course, earning money to keep your career going for the long haul. Finally, All You Need to Know About the Music Businessisn’t told by a musician at all, but rather a lawyer who’s worked in the business. The book has been consistently updated for over 20 years, and offers both current and timeless advice for anyone looking to make it in this fiercely competitive field. The book was first published in 1991. It is now in its tenth edition. Over the years, it has charted the extreme change that the music industry has undergone. From the addition of MTV to the MP3 revolution and now streaming services, the book has updated itself to the point that it’s still very relevant. It’s an unprecedented era for artists right now. Home-recording is easier and more accessible than ever, as is interacting with fans from a phone, and building a following from your bedroom studio. If you’re making music and hoping to make it big, definitely add these to your reading list. 1. How To Make It in the New Music Business

ALL YOU NEED TO KNOW ABOUT THE MUSIC BUSINESS

Get More Fan: The DIY Guide to the New Music Business basically looks at the world of social media and streaming services like Spotify and Soundcloud as both a pro and a con. Certainly in the beginning, whether you’re going to do it entirely on your own or attach to a label, you have to build a fan base, a presence and an audience.Start Your Music Business by Audrey Chisholm Esq. is a brilliant, easy-to-read guide for all those in the industry who wish to start a music business. The author is a well-known music attorney who has seen a lot. This book is her way of presenting her knowledge and ultimately helping out new music entrepreneurs.