Blackmagic Design Pocket Cinema Camera 6K G2 Compact film camera 35 mm Black

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The camera also features an adjustable tilt 5” touchscreen LCD with 1500 nits of brightness, as well as a mini XLR audio input so that you can record with a professional microphone for the best audio possible. x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 The Panasonic mentioned above S5 II also has a much less rolling shutter, which I found to be a major issue on the BMPCC 6K G2. Many hybrid cameras with full-frame sensors have less rolling shutter than this camera does. The BMPCC 6K G2 does record internal gyroscope data that the Resolve editing suite can use for post-processing stabilization, but that comes with a caveat.

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Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers autofocus. Iris Control Separately, if you’re looking for a camera with autofocus, you’d be better off with something like the Panasonic S5 II or S5 IIX, the Fujifilm X-H2, or X-H2S.And if you’re coming to the camera from a mirrorless or DSLR model, you’re going to have to sacrifice a few home comforts. There’s no continuous AF, so although the 6K G2 can focus for you ahead of recording, you’ll have to do your own manual pull-focusing after that – maybe set up a rig with a follow focus unit. DCI standards: 4KDCIp/23.98 / 4KDCIp/24 / 4KDCIp/25 / 4KDCIp/29.97 / 4KDCIp/30 / 4KDCIp/50 / 4KDCIp/59.94 / 4KDCIp/60

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Looking to upgrade your equipment? Get competitive prices on major brands with our part-exchange service. It’s easier to start with what the 6K G2 does not have relative to the 6K Pro than what it shares in common with that more powerful device. The 6K Pro has built-in neutral density (ND) filters, and the 6K G2 does not. We don’t have too much to say about the image quality because we had to raid the cupboards for a couple of EF lenses to use it with, and they weren’t the best examples of modern optical science.broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lensmount. Dynamic Range Two of the biggest differences still in place between the 6K G2 and the 6K Pro are that the BMPCC 6K Pro has built-in ND filters and a brighter display – both of which can be quite meaningful to those who do a lot of shooting outdoors. Of course, you can always add ND filters to your lenses or get a brighter external monitor if these are issues for you – but they’ll add additional cost and bulk to your kit. Automatically populated lens data from electronic Micro Four Thirds lenses. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls Battery operating time: approx. 60 min (recording of 6K RAW at 24 fps onto a CFast 2.0 card with 50% screen brightness)

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Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls Davinci Resolve Studio * will automatically find and sync the shots from all of the cameras so that you don’t need to spend hours doing it manually. The other big change is the addition of a second mini XLR port, which is something we personally have been wishing for as it allows for multiple camera placements (or stereo recording) without having to limit yourself to only using a 3.5mm mic if you want more than one audio source.Josh’s comments provide an excellent alternative view to my hybrid-shooting-based video capture approach. I recognize and respect the traditional cinematographer approach to designing the BMPCC 6K G2, yet I’m aware of the competition this camera faces and the two of us discussed the cine-focus feature set in an era where autofocus is increasingly important. You can record video for longer while improving the composition of your shots, to put it simply.” – Engadget What’s Different with the BMPCC 6K Pro? Unlike modern autofocus systems, the BMPCC only focuses on the center of the frame, and there are no points to move around to select a subject elsewhere. The result is a system better used in manual focus, with autofocus only to help jump to a starting point.

Blackmagic Pocket Cinema Camera 6K G2 Review - PetaPixel

The 6K G2 can take high-res still images of up to 21.2MP and are saved as fully uncompressed DNG frames for maximum image quality. As you can see, the 6K continues to be a fairly substantial powerhouse of a cinema camera – especially if you’re not ready to spend considerably more for an Ursa or Canon C-Series. If you’re in the market for a new 6K and don’t need the pro, get the G2. HD video standards: 1080p/23.98 / 1080p/24 / 1080p/25 / 1080p/29.97 / 1080p/30 / 1080p/50 / 1080p/59.94 / 1080p/60 Iris wheel and touchscreen slider for manual aperture adjustments of electronically controllable lenses / Iris button for instant automatic aperture adjustments of compatible lensesIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, irisbutton for instant auto iris settings on compatiblelenses. Screen Dimensions The highlight of the physical design is the massive LCD screen which provides enough size to evaluate footage without an external reader. This also showcases the company’s excellent menu system, a clean, well-organized, and easy-to-use layout that I wish every company in the photo and video industry would copy. The biggest change between the 6K G2 and the first generation BMPCC6K is the new 5″ tilting touchscreen display – which in our experience is a pretty big deal, especially when shooting cinema-style footage. Since shooting cinema-style often includes more drastic camera angles than straight-up video (low-angle shots, we’re looking at you), the tilting display really helps you keep an eye on your shot without either having to crouch or resort to an external viewfinder. The 6K features built-in LUTs such as Extended Video, Film to Video, Film to REC.2020 and works with industry-standard 17 and 33-point 3D LUT files.