Our Hideous Progeny: A thrilling Gothic Adventure

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Through Mary’s fight for acclaim and acceptance in the scientific world, McGill does an excellent job of showing the trials of women in the 19th century, particularly for women as intelligent and outspoken as Mary. The men sure do try to keep her down. C.E. McGill’s richly detailed and utterly compelling debut was a deliciously gothic and feminist exploration of ambition, obsession, betrayal and love that I couldn’t get enough of!

Although the story seemed to drag a little at times, it was nevertheless beautifully written, and was a great homage to Mary Shelley’s ‘Frankenstein’ with a wonderfully gothic feel to it, and an engaging atmospheric storyline. Recommended. The story of Mary Saville, a distant relative of Victor Frankenstein, who's working with her husband, Henry, to make ends meet. The year is 1853, and it's not easy getting work for a 'too-outspoken' young scientist (Henry) and the skilled young illustrator (Mary) so they just sort of coast along. The start of this book was fascinating for me! Lots of references to all the science which was just literally exploding at the time- through both trained academics and talented amateurs. So much work being done in physics, chemistry, geology, biology, medicine, paleontology - you name it. Pamphlets, books, magazine articles, lectures and debates, science was kind of everywhere...She knew she had a great-uncle who had been a scientist, went mad, and died in the arctic, but knew little else about him. When she uncovers the notebook kept by that great-uncle, Victor Frankenstein, she proposes to Henry that they build on his work. Compelling and utterly absorbing, Our Hideous Progeny is an artfully crafted debut that echoes the dark essence of Mary Shelley's Frankenstein while maintaining a fascinating originality all of its own. SUSAN STOKES-CHAPMAN, author of PANDORA I adored Mary, who’s character takes inspiration from not one but three impressive women of the 19th C: Mary Shelley, Mary Anning (the self-taught palaeontologist who found the first Ichthyosaur fossil) and Mary Somerville (one of the first women admitted into the Royal Astronomical Society), and really enjoyed discovering just how much of their stories connected to our refreshingly bold and sharp-tongued protagonist—especially Mary Anning, who seemed to have to the most in common with our plesiosaur-obsessed MC. A wonderful book; dark, passionate, multi-layered and rich with enticing detail. JOANNE HARRIS, author of CHOCOLAT and THE STRAWBERRY THIEF Absolutely fantastic news today: my debut novel, the Frankenstein-inspired paleontological gothic OUR HIDEOUS PROGENY, has been acquired by Kirsty Dunseath at Doubleday! Read the full press release here!

Armed only with letters containing snippets of her great uncles’ past —of creating life from death (which ultimately led to his own), Mary decides to use what little of his research remains to take the scientific community by storm. And, with her husband Henry, attempt to bring life to a creature never before seen by human eyes.For readers of Circe or Ariadne, a brilliant literary revisiting of Mary Shelley's classic Frankenstein with a fresh, queer, provocative twist.

Besides previous scientific discoveries and paradigms, the story was also centred around the position of women in science, featuring Mary in an almost activist-y role. It was aggravating to see how her knowledge and intelligence was constantly undermined, ridiculed and shoved aside, and how her position became more and more vulnerable each day. It was maddening to see how men were favoured in high societies, just for gender reasons, and although I myself have not experienced this first-hand, I felt the rage in Mary’s narration, and it has been long since I lived through a fictional character so vicariously. Nevertheless, the book is a superb debut. McGill sure has a sunny career ahead of them. I’m jealous of their talent. Darkly brilliant and sumptuously gothic, this atmospheric debut left me reeling C.J. COOKE, author of THE LIGHTHOUSE WITCHES Characters: They definitely weren’t all lovable, bu they were real. Mary was so witty and easy to root for, Henry was INFURIATING, and Maisie was super sweet (plus that chronic illness rep!!)But on the precipice of success, Mary begins to question the ethics and morality surrounding their creation and the love that she has developed for the creature. Our Hideous Progeny also so desperately tried to be feminist and anti-racism that at some point, I stopped seriously taking it as such. Sure, it critiqued the classism and elitism of academia, but there are only so many "oh-this-is-so-unfair-I-don't-understand-why-it-can't-be-changed-and-made-fair" you can shove down my throat before I start feeling as if I'm treated like an idiot. "Subtlety" is something this book would truly benefit from.

It’s set in 1851, at the height of the Victorian era’s fascination with all things dinosaur and follows Elizabeth (the great-niece of Victor Frankenstein) who (having spent the better part of her life being looked down on for being a woman interested in science and palaeontology) yearns to find scientific acclaim beyond the footnotes of other people’s research. But without any powerful connections or wealth, neither Mary or her husband stand a chance of ever succeeding. I love this type of story, where a woman is battling against society’s norms & expectations of her. Mary is a fierce character. I love the contrast between Henry & herself, with Mary clearly being the stronger in the partnership. Henry typically allows himself to be steered by wealth & notoriety, whereas Mary keeps them grounded by her sense of what is right. Historical fiction with a dark twist in the spirit of Circe, Ariadne, and Mexican Gothic, Our Hideous Progeny is a brilliant revisiting of Mary Shelley’s classic Frankenstein that unfolds with a fresh, provocative, queer twist. But Mary, declared illegitimate by her family, and Henry, sort of disinherited from his, are in a continual struggle just to make ends meet. They're part of a great scientific circle of inventors and scientists - and yet they are not. However, things start to change when Mary learns who her distant great-uncle, Victor Frankenstein, was and what he accomplished. So at this point the story delves from real history (and real science) into the world of horror and science fiction. But it's a beautiful evolution - or de-evolution - in the hands of CE McGill, the writer. There is SO MUCH going on in this book. Mary's fascination with what she learns about Great Uncle Victor. Her relationship with her husband and her husband's sister. (Gorgeously written.) There's a villain - of course there is! And the whole atmosphere and landscape of rural England in the mid-1800's, along with the poverty and squalor in the great cities. And through it all marches Mary... Plot: As someone who really wanted to like Frankenstein but just couldn’t get into the writing style, I appreciated the way the plot both took inspiration from the source material while adding a commentary all its own! Having the central story revolve around the great niece* of Frankenstein was so interesting, and a huge strength of this book.

Retailers:

Our Hideous Progeny is a continuation of the Mary Shelley classic, Frankenstein. The year is 1853, and Victor Frankenstein’s great-niece, Mary Sutherland, and her husband, Henry, are desperate to break into the science of paleontology. But together, they have neither money nor good reputation – both of which they need for their academic peers to take them seriously. It’s been such an exciting week, and I’m thrilled I get to announce this at last! Innumerable thanks to my agent, Sue, for all her hard work (and for managing to negotiate this deal while BOTH she and Kirsty were on trains, no less!). When Sue first sent OHP out to editors, I settled myself in for what I’d heard could be a long and trying process, only to be absolutely blown away by the speed and enthusiasm of the responses — Kirsty’s first among them! I’m so grateful to Sue for her Agenty Expertise, and can’t wait to bear witness to Kirsty’s Editory Expertise as we work more on OHP over the next year. It’s always wonderful to meet someone who feels like they truly love and understand your work, and Kirsty Dunseath is just such a someone. OHP couldn’t be in better hands 🙂 The difference between a proper young lady and a beastly little thing was that ladies were never angry; they took their moods and wove them into lace, stuffed them into pillows. They learned to hold their tongue. But I have always been a beastly little thing at heart, it seems." C.E. McGill Ha, great question! Even though it may feel a little bit like cheating, I find that one surefire way to push past my own doubts about a project and fi …more Ha, great question! Even though it may feel a little bit like cheating, I find that one surefire way to push past my own doubts about a project and find motivation to write is to talk about my ideas with others. As you point out, when I first came up with the idea for OHP, I thought it was ridiculous - but when I jokingly mentioned the idea at Thanksgiving dinner, my family loved it and demanded to see it played out. Given that little boost of self-confidence, I ended up considering the idea more seriously and realizing that there was actually far more depth and possibility in this "Frankenstein with dinosaurs" concept than I'd initially given it credit for. I find that having a trusted friend or family member or classmate or critique group to brainstorm with (and to demand to see that first chapter written out!) helps me realize, through their reaction to it, what actually drew me to the idea in the first place and why it's worth pursuing. In other words: if you haven't got any self-confidence at home yet, store bought is fine. I was in absolute awe of just how immersive the descriptions were and loved that it really delves into the inequalities of the Victorian era and the classist, sexist and racist attitudes which were prevalent and still very much relevant today.