Joined in 2023 
82 
63 About this deal
Electro, glitch, techno, experimental hip hop& industrial hip hop – Flying Lotus, Juan Atkins, MARRS, Dopplereffekt, Egyptian Lover, Afrika Bambaataa, Techno Animal, Coldcut, The Glitch Mob& Kraftwerk Lin II, Rong-Gong; Ardalani, Sarah (30 June 2010). "Girl, 15, dies after weekend rave at L.A. Coliseum ". Los Angeles Times . Retrieved 3 September 2019. Moombahton – Dave Nada, Knife Party, Dillon Francis, Munchi, Diplo, Bro Safari, ETC!ETC!, Valentino Khan, Sazon Booya a b Larive, Lisa L.; Romanelli, Frank; Smith, Kelly M. (June 2002). "Club drugs: methylenedioxymethamphetamine, flunitrazepam, ketamine hydrochloride, and gamma-hydroxybutyrate". American Journal of Health-System Pharmacy. American Society of Health-System Pharmacists. 59 (11): 1067–1076. doi: 10.1093/ajhp/59.11.1067. eISSN 1535-2900. ISSN 1079-2082. OCLC 41233599. PMID 12063892. S2CID 44680086.
Evans, Helen. " Out of Sight, Out of Mind: An Analysis of Rave Culture". Wimbledon School of Art, London. 1992. Includes bibliography through 1994.Rosca, Matei (1 April 2014). "Illegal raves: Social media messages bring in a new generation of partygoers". The Guardian. Rave music may either refer to the late 1980s/early 1990s genres of house, new beat, breakbeat, acid house, techno and hardcore techno, which were the first genres of music to be played at rave parties, or to any other genre of electronic dance music (EDM) that may be played at a rave. The American electronic dance music scene is one of the earliest, and rave culture has its roots in the " circuit parties" and disco clubs of the late 1970s. These were scattered in cities large and small throughout the United States, from Buffalo to Cleveland to Aspen, Colorado. Cities like Chicago, Detroit, Miami, and New York City soon saw the rise of electronic music genres foundational to rave culture, such as house music, techno, and breakbeat. American ravers, like their UK & European counterparts, have been compared to the hippies of the 1960s due to their shared interest in non-violence and psychedelia. [95] Rave culture incorporated disco culture's same love of dance music spun by DJs, drug exploration, sexual promiscuity, and hedonism. Although disco culture had thrived in the mainstream, the rave culture would make an effort to stay underground to avoid the animosity that was still surrounding disco and dance music. The key motive for remaining underground in many parts of the US had to do with curfew and the standard 2:00 am closing of clubs. It was a desire to keep the party going past legal hours that created the underground direction. Because of the legality, they had to be secretive about time and place. Breakbeat – DJ Icey, Mike & Charlie, Brad Smith, Afco-Skynet, Agent K & Deuce, Sharaz, Dave London, Baby Anne, Faline, Rob E, Mondo, Chase & Status, Huda Hudia. See also: Love Parade, Technoparade, Techno, Hardcore (electronic dance music), Happy hardcore, Gabber, and Electronic body music Ravers in a German techno club ( KW in Munich) in the 1990s Love Parade 1995 in Berlin
The Untold Story of Joey Beltram, the Techno Titan Behind the 90s' Most Iconic Rave Anthems". Vice. Brostep / Dubstep – Rusko, Skrillex, Flux Pavilion, Datsik, Chase & Status, Doctor P, Borgore, TC, Modestep, Feed Me, Kill the Noise, Excision Featuring local San Diego DJs Jon Bishop, Steve Pagan, Alien Tom, Jeff Skot, Jon-e Thin, Paolo, Merlyn, Gmaxim, Tony Fiore, Damon and Mark E. Quark performed at these events. The events used large props and themes. The fairy and pixie craze, with ravers getting fairy tattoos and wearing fairy wings to parties was associated with the region. The percussive group Crash Worship was active here. Timeline and numbers Reynolds, Simon (1998). Generation Ecstasy: into the world of Techno and Rave culture. Picador. ISBN 978-0-330-35056-3.Palamar JJ, Acosta P, Le A, Cleland CM, Nelson LS (November 2019). "Adverse drug-related effects among electronic dance music party attendees". International Journal of Drug Policy. Elsevier. 73: 81–87. doi: 10.1016/j.drugpo.2019.07.005. ISSN 1873-4758. PMC 6899195. PMID 31349134. S2CID 198932918. However, disco dancers and ravers preferred different drugs. Whereas 1970s disco scene members preferred cocaine and the depressant/sedative Quaaludes, ravers preferred MDMA, 2C-B, amphetamine, and other pills. According to the FBI, raves are one of the most popular venues where club drugs are distributed, and as such feature a prominent drug subculture. [57] [58] Club drugs include MDMA (more commonly known as "ecstasy", "E" or "molly"), 2C-B (more commonly known as "nexus"), amphetamine (commonly referred to as "speed"), GHB (commonly referred to as "fantasy" or "liquid E"), cocaine (commonly referred to as "coke"), DMT, and LSD (commonly referred to as "lucy" or "acid"). [59] [60] [61] [62] [63] Short excerpt from special on German "Tele 5" from Dec.8, 1988. The show is called "Tanzhouse" hosted by a young Fred Kogel. It includes footage from Hamburg's "Front" with Boris Dlugosch, Kemal Kurum's "Opera House" and the "Prinzenbar". In the 1990s, San Diego held large raves with audiences of thousands. These festivals were held on Indian reservations and ski resorts during the summer months and were headlined by DJs such as Doc Martin, Daniel Moontribe, Dimitri of Deee-lite, Afrika Islam and the Hardkiss brothers from San Francisco. They helped to create the Right to Dance movement—a non-violent protest held in San Diego and later in Los Angeles.
Immediately after the Berlin Wall fell on 9 November 1989, free underground techno parties mushroomed in East Berlin. [78] According to East German DJ Paul van Dyk the techno-based rave scene was a major force in re-establishing social connections between East and West Germany during the unification period. [83] Soon the first techno clubs emerged in East Berlin such as the Tresor (est. 1991), the Planet (1991–1993), and the Bunker (1992–1996). [84] In Frankfurt, the Omen opened in 1988, which under its operator Sven Väth became the center of the scene in the Rhein-Main area in the following years. In 1990, the Babalu Club opened in Munich, introducing the concept of afterhours in Germany. [85] I don't know about you but I NEED a fan at a rave or festival to help me survive the heat! It's instantly makes you come alive and feel revived! Pair it with a small spray bottle and you'll be QUEEN of the fest !!! Drum and bass / Jungle – Drumsound & Bassline Smith, 4Hero, Logistics, Andy C, Spor, Goldie, DJ Ron, Dieselboy, DJ Fresh, Pendulum, Freq Nasty, Freaky Flow, Shy FX, Rebel MC, Ragga TwinsOtt, Brian L. and Herman, Bill D. Excerpt from Mixed Messages: Resistance and Reappropriation in Rave Culture. 2003.
Arlidge, John (2 May 1995). "The day the music died, Hanger 13, Scotland's top rave venue, has been closed after three Ecstasy-related deaths". independent.co.uk/. The Independent Newspaper UK . Retrieved 5 October 2015. The fierce anti-establishment credo of the rave scene plays out in the character D-Man (Ross Mann), the politicised rave pied piper and DJ from pirate radio station Community Service Radio who serves up banging tunes with biting broadsides and social commentary (“they want to privatise our minds”; “the only good system is a sound system”), in the tradition of Jamaican sound-system culture.
Anderson, Tammy L. (2009). "Understanding the Alteration and Decline of a Music Scene: Observations from Rave Culture". Sociological Forum. 24 (2): 309–311. doi: 10.1111/j.1573-7861.2009.01101.x. JSTOR 40210403.
Great Deal 
New Comment