5 Colours in Her Hair

Product Information

Loop and experimental dronerock and the like, and now I'm actually getting involved in a Taking Sides: Busted vs. Don't have anything else to say about this song, but if this thread fails to get more replies than the Modest Mouse one, it will be safe to say that ILM has been lost to the indie kids for good.

He did a musical of it about a year later that was on at Hammersmith Apollo for all of that December, Matt Willis and Harry Judd were in it as well I think?

Unlike pop-punk and emo’s more gleeful treatment of scorned women, there’s an itch of regret here, something more thoughtful lurking under the scruffy bonhomie, a vague nod towards personhood beyond freaky hair and naked cooking. No other Channel 4 shows have, to my knowledge, directly influenced a single, let alone one that got to number one (although I am happy to be corrected). The UK version is pop rock, but the US version has an abrasive guitar tone that pushes it toward punk rock (of the 90s NOFX/Lagwagon variety).

Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. In my memory of it I’d thought it was reasonably sympathetic towards the girl in question, but on a closer relisten you’re right that the song doesn’t really dwell on the tragedy of her situation, not when it could focus on how hot the singer finds her. Colours isn’t particularly widely-loved, as I appreciate the sound of teenage boys who, to be honest, can’t sing with the most endearing pitching, about a girl with “sexy attit-tude”, certainly isn’t for everyone. i for one enjoyed this song, its good for parties and mcfly were fantastic when they supported busted. As for "She couldn't take the fame, she said I was to blame" and "I threw a house party and she came" I think that was a referance to him introducing her to his mates, and they were the ones pressuring her.But there’s a crispness to their power-pop borrowings, an easy, confident tunefulness most British bands struggle to access. But that is simply a matter of chart statistics (an industry in itself) and has nothing to do with the music. was a tantalising glimpse into what Xenomania would have done with a boyband – like a slightly less aggressive Five.