Drawing for Illustration

Product Information

Certain awarding bodies - such as Quality Licence Scheme and TQUK - have developed endorsement schemes as a way to help students select the best skills based courses for them. Interviews with illustrators also provide invaluable insight into the creative process, as they outline their challenges and motivations, and what drawing personally means for them. Packed with visual inspiration, this book features detailed analysis of works by key illustrators from past and present including George Cruikshank, Egon Schiele, Ronald Searle and Sheila Robinson through to Laura Carlin, Alexis Deacon and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time. Assisting students through exercises and case studies, this guide explores the often-unseen world of draftsmanship that underpins finished illustration work.

Visually appealing, Drawing for Illustration features detailed analysis of works by key illustrators from the past and present, including George Cruikshank, Ronald Searle, Sheila Robinson, Laura Carlin, Alexis Deacon, and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination. Bubbles, wood-engraving proof from 'Rhymes for the young folk', illustration by Kate Greenaway, engraving by Edmund Evans Ltd.

of Art; Children's Picturebooks: The Art of Visual Storytelling) introduction, he admits to "shamelessly stealing the title" of Lynton Lamb's 1962 book with hopes to further illuminate the subject of illustration. From book illustration to graphic novels and caricatures to commercial design, this attractive volume draws on sketchbooks, projects, and historical examples to show how they started as drawings from observation and drawings from imagination. Martin’s writing is clearly based on a lifetime of knowledge and experience and the stunning cover by Isabelle Arsenault is a cherry on top!

All the interviewed illustrators offer intriguing insights into their relationship with drawing and their work as an illustrator, all with a unique approach in terms of what it means for them. All you need is a pencil, a bit of blank paper and the expert guidance you will find within these pages. In recent years his work has focused mainly on the area of children’s book illustration, painting for exhibition and writing on the subject of drawing and illustration.

Within the framework, still using your hard pencil, draw the curves and lines that make up the letters. With a slightly amused tone, he lays out the ups and downs that have been the perception of the worth and artistic integrity of illustration.